This Cinematic LUT Collection is us opening up our colour-grading workflow and sharing the looks we use on real commercial and cinematic projects.
These LUTs have been refined and tested for over a year to ensure they work reliably across a wide range of camera systems, including Sony, Canon, DJI, Blackmagic, ARRI and RED. They also work beautifully with Apple Log footage.
They’re designed to be simple, fast and flexible. Apply the LUT, make a few small adjustments, and your footage instantly takes on a polished, cinematic look — saving you time in the edit without locking you into a single style.
10 cinematic grading LUTs for Rec.709 (.cube files)
Compatible with Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, LumaFusion, and any software that supports 3D LUTs
For the strongest and most natural look, reduce the LUT opacity and fine-tune white balance, exposure, contrast and saturation to suit your footage and personal style.
While these LUTs will work on any clip, you’ll get the best results when shooting in a flat picture profile to maximise dynamic range (such as S-Log, C-Log or Log-C).
This Cinematic LUT Collection is us opening up our colour-grading workflow and sharing the looks we use on real commercial and cinematic projects.
These LUTs have been refined and tested for over a year to ensure they work reliably across a wide range of camera systems, including Sony, Canon, DJI, Blackmagic, ARRI and RED. They also work beautifully with Apple Log footage.
They’re designed to be simple, fast and flexible. Apply the LUT, make a few small adjustments, and your footage instantly takes on a polished, cinematic look — saving you time in the edit without locking you into a single style.
10 cinematic grading LUTs for Rec.709 (.cube files)
Compatible with Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, LumaFusion, and any software that supports 3D LUTs
For the strongest and most natural look, reduce the LUT opacity and fine-tune white balance, exposure, contrast and saturation to suit your footage and personal style.
While these LUTs will work on any clip, you’ll get the best results when shooting in a flat picture profile to maximise dynamic range (such as S-Log, C-Log or Log-C).
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